Beautiful bad taste. A few thoughts about the second “Deadpool”

What can have the ratings of the film, which himself laughs at any Cricanism? “Deadpool 2” is one continuous prohibited technique, tearing the template relationship between the screen and the viewer. In the end, what else can be said if the film contains a character with the most strange “superpost” of all, namely … luck. This is a real mockery of the genre of superhero comics itself!

“Deadpool 2” is original in its secondaryness, and this is fine, because the film intentionally lacks stars from the sky, but methodically (paradoxically!) and with a fair amount of irony and self -irony exposes all the stamps of Hollywood cinema, starting from the genre of family melodrama and ending with science fiction. The plot from the second “Terminator”, characters from the next drama about teenagers, even the scene from the “Basic Instinct” – the sarcastic and at the same time sparkling humor of the second “Deadpool” impudently and without unnecessary words performs a step into the past (watch scenes of the credits), as if outlining the border – there are bad adaptations of comics, and here – Deadpul.

Yes, the plot of a vnagoli is pulled out https://genesis-casino.co.uk of “Terminator 2” – an evil (or not evil) cyborg Cabel comes into the past in order to save his family (the cyborgs have families?) From the sworn enemy of Russell, in the future – a cruel manic killer, and in the past, that is, our present – a teenager with a terrible inferiority complex (which, by the way, is not the plot of the “loops of time” – to go back in time to kill the villain when he is still a child? But again – “Terminator 2” in all its glory). Cabel confronts the Deadpool with the “X -Minh” team, which self -destructs (except domino, which has a superbetor) at the first opportunity.

The film deliberately adheres to genre stamps, deliberately gives itself a plaque of bad taste to bend its Kitch line to an boundless limit. What is the appearance of a Jaggernaut – the beloved character of Reynolds (and which Reynolds himself plays) – so that at the first meeting with him the deadpool of the latter is left without the lower part of the body. It is no coincidence that Deadpool’s superpowibility is regeneration – this is a character who simply cannot die, because he is only a character, an image wanding from a film to a film, a folk parsley who can be killed as many times as it will be necessary. Kitsch cannot be destroyed – always “low” genres will mock the “high”.

David Litch contributed to the visual style of “Deadpool” – in every battle scene
you feel the skill and style that are saturated with this kind of scene in John
WIKE ”, while the scene setting is not devoid of the same feeling of irony, which is filled with the second“ Deadpool ”to the edges. Air militant, but if in his usual form the militant must force the adrenaline in the viewer’s body, then in the “Deadpool” every new “Mahach” makes it laugh from what is happening absurd. What is the scene of the pursuit of the truck in which prisoners are transported: the landing of “Forces X” is a continuous fiasco, like the final of the chase. Everything goes not according to the plan, not like in an ordinary action movie, but even worse – as in a third -rate, cheap Expluatation to a militant or in an Indian film, where the laws of physics, as everyone knows, take a day off. The chant of the chase, by the way, serves as a decent curtsy towards the Fast and the Furious franchise, which has also long been saying goodbye to the credo of the “Film of Auto -Ingleys”, and where the absurdity is a normal phenomenon. Do not look for the “Deadpool” meaning. Any sense here is a genre over which the film is mocking, as it can.

And good, if the viewer understands this, and sees the real result of acting and directorial work. Otherwise, “Deadpool” will settle in memory as beautiful (Lick does not have a different one), a funny action movie-see and forget.

“Deadpool” is a necessary phenomenon in a modern environment when movie comics
ceased to be a private phenomenon, firmly settled in the film distribution. One saga follows another, the workshop works perfectly, and people go to the cinema to work for their favorite characters (and here it will not work out otherwise, because the Studii strategy is aimed at ensuring the heroes from the main audience of the Hyk community to everyone as relatives), and here there are “Deadpools” with their sweeping criticism of the entire comic movement, using the same tricks as films as films as films.Marvel and DC (after all, “Deadpool”, in fact, is a crooked mirror of all film comics) in order to remind the audience (and critics), What They watch cinema every six months.